Winning NaNoWriMo is no small feat. Committing yourself to writing more than one thousand words each day (a 1.6k average is needed to 'win'), suggests you have what it takes.
But don't stop there. Words on a page do not a story make.
Now comes the fun part. Editing and revising and editing and revising and . . . Time to get to the root of your novel.
Your story is not complete until you've spent days, and weeks, and months combing through its pages, tweaking plot lines, and finessing word usage. The true nugget of your story is often buried deep within the middle of all those thousands of words.
Every writer has his own advice for how to tackle the revision stages. Google til your heart's content, and you can find half a dozen that make sense to you.
I follow Stephen King's: put your first draft away for a month to six weeks before you revise.
Here are six ideas for how to handle revising your first draft.
1. Listen to the King. Put it away and work on anything else but that manuscript for at least a month. You'll return with fresh eyes to discover the hidden beauty (buried deep in chapter six) or the rubbish you wrote to begin the story.
2. Before you revise, write a letter to a friend explaining your book. (You don't need to send it.) Try to get it right in a 35-word pitch. Then dig in revising, go back and read that letter and write a new one. Repeat this process until you've uncovered the true pitch.
3. Revise your draft as many times as you have important characters. Each time you revise, do it with one character in mind. Use his perspective. This is a great way to uncover loose storylines, catch missing or erroneous details (birthdates, eye color, favorite foods, etc.).
4. Cut or combine useless characters. Idea 3 will help you uncover who adds to the plot and who detracts from it. As Mr. King says: "Kill your darlings." (This is also a good time to study all the names used in your story. Be sure they are not easily confusing--too many single syllable names; too many names starting with S, etc.)
5. Create a storyboard of key scenes. Plotters will have already done this. However, do it again. I record each scene on a post-it that I can move around a board. Not all scenes need cutting; some need moving.
6. Share your draft with a trusted partner. If you haven't joined a writing group or located a critque partner, now's a great time to do this. Other writers understand what is a first draft. They won't nit-pick at grammar or spelling. They will tell you what works and what doesn't.
Now, stop reading this blog and get to revising. More tips on revising and editing in the future!
Please share your ideas here.
When I joined the NaNoWriMo crowd 23 days ago, I had little hope of achieving the 50,000-word count by the end of the month. As of today, I've written 36,099 words. No rounding; every word counts.
That's why I'm not going to spend too much time writing my blog today. I need to get back to my novel.
First, three things I've learned about goal-setting.
1. Setting a daily word-count goal gives you a visual target. Your inner writing-ego won't let you leave the project if you don't achieve that number.
2. Setting a daily word-count goal pushes your creativity into a corner that you must escape from. This requires more creativity. If you think the chapter's finished, but it's under your word-goal, how about beefing up that description of your protag's jacket or the sound of the rain or make it rain.
3. Setting a daily word-count goal exercises your writing muscles. It's like taking up running. At first, your goal is to get around the block. After a few days, you up to two blocks. Before you know it, you're jogging across town and back. Set reasonable goals then push yourself a little more each day. (Warning: don't set a goal so high that writing becomes a chore. Keep it fun.)
Want more inspiration? Try these articles from the experts at NaNoWriMo:
Tackling the saggy middle.
Putting the fun into your story.
If you're writing, good luck. Have fun. You can do this!
Every so often, I write this post. Why? I am constantly discovering great new books and sites that support, motivate, and improve my writing.
I want to share them with you.
Here are four of my current favorites:
1. The best punctuation book, period by June Casagrande. Every writer needs a great little book at their side where they can double check where to place a comma, capitalize a noun, understand how to use hyphens and en dashes. My copy editor recommended this book to me, and I am in love with it. It's easy to use, is written simply, and is less than 250 pages.
2. Writers Helping Writers with Angela Ackerman and Becca Puglisi. These ladies are fabulous, and their website is filled with amazing resources for your writing. Soon, they will merge into a new site with incredible support for using Scrivener along with their books on Negative and Positive Traits. I've written previously about how I use these books.
3. The Enneagram Test. If you are building characters, this is a great place to help understand and craft their personalities. You might first take the online test to explore your own personality. Then try it as your protagonist and antagonist. The test takes less than three minutes. The results point you toward any of nine specific personality types (similar to Jung). It's a quick, fun, and scientific way to hone in on your characters' true selves. (Couple the results with Writers Helping Writers, and you have a fully developed character.)
4. Goodreads. A great writer is constantly reading other great writing. We learn from each other. If you want to write authentic and appealing middle grade fantasy, you need to read some. Read those getting good reviews and those getting panned. It's important to see what works and what doesn't. Goodreads publishes numerous lists where you can sift through books of all genres and authors. This is my go-to for locating the best (and worst) books because reviews are written by real readers.
What are your current favorite writing resources?
Share them in the comments below.
My copy editor noticed something about my stories: I like lists.
There's the list a character keeps in her phone on the Do's and Don't's of Shoplifting.
There's the list a grandmother keeps on her fridge for what not to feed the dog.
When my editor pointed out my habit, at first I thought: Oops, better stop that. Then I reconsidered. This could be a "thing" in my stories. Every writer needs some kind of trademark, why not lists?
Lists are practical, easy to read, and they can offer clues to the character or plot.
I also post numerous blogs here that are lists.
I like lists. In honor of their awesomeness, let me offer three ideas for using lists in your story.
1. Grocery lists. If I don't write down what I need, I will leave the store with things I'm hungry for now. When I get home, I will have to eat chocolate and mini peppers for dinner. This is not good. Lists help us remember the important stuff. What if your character had to go to the grocery store and forgot something on his list? He'd have to go back. Who might he run into?
2. Birthday lists. Thanks to Google, all my friends' birthdays show up on my calendar. A calendar is a great place for lists because it's all organized by a need to know. How might your character use a calendar in your story?
3. To Do lists. I don't know about you, but my "to do" lists are a mish-mash of so many things. "Make dentist appt; research Vitamin D; send my son a fan... I love "to do" lists because they have no category. It is merely a collection of all the random things that come to mind that must be done. What if your character found someone else's "To Do" list? What might be on it?
These are a few ideas for using lists in your writing. How do you employ a list in your stories? Please share your ideas with us.
Every writer has a different routine or ritual that motivates her or keeps her in the zone. I didn't think I had one, but after closer scrutiny, I realized I do. Of course, I do. You do, too.
The question remains: is your routine working?
If you consider the following six categories, you will discover your routines. You might notice an area that needs help.
After I completed this blog, I realized that I'm not as consistent about taking breaks. Now, I set a timer to go off hourly. If it goes off, I haven't taken a break.
Here are my routines.
1. Quiet--I need minimal activity going on around me. That means I get up early and write before the household awakes.
2. Light--I've noticed that I work best near a window. Natural light activates my creative brain cells.
3. Background--I need music playing while I write. The music or sounds that sit in the background vary. It depends on what I'm doing: planning, writing, editing, re-working a scene, etc. The music must be instrumental
4. Tools--I know many writers prefer longhand; if the pen doesn't touch paper, they can't access their creative juices. For me, I need my Mac, Scrivener, and access to Internet for quick research. When I'm not seated at my desk, I write ideas and research in a variety of notebooks or tap them into Notes in my cell phone.
5. Nourishment--Water, coffee, fruit, nuts, chocolate. I keep all of this nearby. I don't eat while I'm writing, but when I need a brain break, I get up for a nibble. I don't drink too much coffee because it makes my mind work too fast. I need a slow methodic mind to write.
6. Scheduled breaks--Besides walking to the kitchen for snacks, I might walk around the block or stand on the porch for some sun. I get up at least once an hour. The outdoor breaks do wonders when I'm stuck or feeling lethargic.
I would love to hear your creative routines that help produce juicy good work. Please share them below.
My apologies for being a day late with this week's blog of writing tips. We returned yesterday from a beautiful stay in New York. A week of family fun, the laptop tucked safely away. Today, back on the West Coast, I'm wide awake at 6AM and ready to write!
While scrolling through emails, ads, junkmail and trolling favorite Twitter accounts, I discovered something I'd forgotten about - the Scrivener Scratch Pad. If you use the writing app, you may or may not know all about this awesome feature. If you don't have Scrivener yet, but you're considering it, this may help you make that decision.
As you know, I'm a huge Scrivener fan. The app has organized my writing life, leaving me more time and energy to create.
What you need to know about the Scrivener Scratch Pad (on a Mac):
1. The pad is a great place to make lists of websites or links to articles and research that will help you with your story. Keeping the pad open means you can easily add a link or idea even when you aren't working on your project. You can keep the pad open at all times - no matter if you are working on Scrivener or not. Simply right click the Scriv icon on your dock.
2. You must open your projects then hide them so they can be available for the Scratch Pad feature.
3. The Scratch Pad will float in front of all other open windows. This enables you to type notes on the pad while viewing those sites in the background.
4. You can add multiple notes in the pad. Simply click the + sign to add a new note. If you are working on several projects, you can choose which one this note belongs to. Click SEND TO, and a variety of pathways will lead you to the location you want to drop in your note.
5. Click the x or OK to HIDE your pad when you're done. When you return to your project, you can open Scratch Pad in Window. This opens all your notes on the pad, so you can easily see what you've added. No need to remember, Scriv does that for you!
Scrivener won't write your story, but its organizational and time-saving features will enable you to devote your creative energies to what you do best.
What are your favorite Scrivener features? Share them in the comments below.
If you are a new or seasoned writer who seeks honest and constructive feedback, you might consider finding a critique partner. This writer will help you with your finished or developing manuscript. If you were ever to win an award for your story, this is one of the people you would thank.
Previously, you've heard me rave about my editor, Jane MacKay. While Jane provides constructive and detailed feedback on manuscripts and queries, I do pay her because she's a professional. And, even though I use critique partners and beta readers, I still hire Jane after they are through.
First of all, you need to know this: a critique partner is not a beta reader.
Beta Reader: someone who loves to read and can provide you with valuable feedback about your characters' authenticity, your plot's plausibility, your setting's inconsistencies, etc.
Critique Partner: a writer who wants to trade manuscripts for feedback on grammatical technicalities, style, flow, and all the beta reader stuff.
Mom: the person who loves you no matter how crappy your writing is or how many times you drop an Oxford comma.
Ryan Gosling: the guy who motivates you (or is it just me?) to get it done.
If you read between the lines, you might notice that you qualify as a critique partner for most other writers and maybe a beta reader for someone outside your genre. For instance, I write YA, but I love a good mystery. I'd be a good beta reader for mystery writers (but please don't send me a ms to read or my critique partners will hunt you down. Time is valuable.)
Currently, I'm partnering with several writers. I recently started working with aspiring YA author Brook Ellis. We met through Miss Snark's Critique Partner Dating Service (love that name!). Since three-thousand miles separates us, Brook and I exchange manuscripts via Google Docs and email. So far, it works. I'm also part of a local writer's group who met at a SCBWI event. Adult fiction writer Gwynne Jackson, picture writer and illustrator Evangeline, and I also exchange work via Google Docs. In addition, because we live within a five-mile radius, we meet monthly at someone's house.
I feel extremely fortunate to have these amazing writers in my life. Previously, I was unsure about working with a critique partner. I was embarrassed my work might not measure up; I was afraid I wouldn't have the time. Wrong. Wrong. Love, love them. When you want to, you can accomplish quite a lot.
So here are my top five reasons why you need a critique partner (CP).
A critique partner will:
1. Provide honest feedback. You are not paying them. They are not your mom. If something isn't working, or if something's truly amazing, they will let you know.
2. Have the skill to help you. Since your CPs are writers, they will not only be able to tell you where something's gone awry, they will be able to offer some pretty great suggestions on how to fix it.
3. Help you grow as a writer. Over the course of time, your CPs will become great teachers. Once they've learned your writing style, they will recognize your weaknesses and help you accentuate your strengths.
4. Not waste your time. They want what you want: good, constructive, honest feedback. If they can't provide this, they understand you might find a new partner. If you're good and helpful (because you're doing 1-3), they will make your time worth it.
5. Make you laugh. Make you cry. Mostly because of No. 1, your CP will sometimes tell you things about your writing that will make you feel so good, you'll laugh. However, every rose has its thorns. Because of No.1, your CP will also tell you some brutally honest facts about where your writing or story is falling down. The hope is that, because of No. 2, you will understand that the crying will help with No. 3.
If your relationship with your CPs look different, maybe it's not working. Remember, it's a partnership. As in any relationship, know when to get out and know when you're not doing your part.
I would love to hear your thoughts on finding and working with critique partners. Please share them in the comments below.
I'm always open to finding more CPs in order to create the best stories.
We've visited this topic before, but it's worth another look.
The school day ended as it had begun with the tin rattle of an ancient bell system designed to wake the dead or anyone within a football field of the boxy building.
True story. It’s how I spend my workday sixteen times over, five days a week.
Only once, do you make the mistake to stand directly beneath one of the clattering devils.
However, the jolting rattles own your attention, and there’s no doubt it’s time to get to class.
Oh for the clang of a great story opening. Previously, I’ve shared my favorite YA openers.
This week, my last group of creative writing students for the year works on story beginnings. In a few weeks, we’ll tackle endings.
How do you start your stories? With action? Mystery? Deep thoughts? Humor? Here are our favorites.
Reflect on life. No one does this better than YA it boy, John Green.
“The way I figure it, everyone gets a miracle.” –Paper Towns by John Green
Reveal theme. For my students, Walter Dean Meyers has a knack for setting up his stories' themes right at the start.
“The best time to cry is at night, when the lights are out and someone is being beaten up and screaming for help. That way even if you sniffle a little they won’t hear you. If anybody knows that you are crying, they’ll start talking about it and soon it’ll be your turn to get beat up when the lights go out.” –Monster by Walter Dean Myers
Meet our hero/heroine. My favorite adult and young adult author, Neil Gaiman, is a master at opening his stories. One of my favorites:
“There once was a young man who wished to gain his Heart’s Desire.” –Stardust by Neil Gaiman
Meet someone important/close to our hero/heroine. The people we love to hate from the delightful imagination of J.K. Rowling.
“Mr. and Mrs. Dursley of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” -Harry Potter and the Sorcerer's Stone by JK Rowling
Begin with trouble. Many of today's dystopians begin this way, reminiscent of war stories detailing actual history.
The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. - The Red Badge of Courage by Stephen Crane
Begin with a mystery. Make your readers want to know why right from the very first line.
"All this happened. More or less." -Slaughterhouse Five by Kurt Vonnegut
"You better not tell nobody but God." - The Color Purple by Alice Walker
What's your favorite way to open a story? Share them in the comments below.