If you are a new or seasoned writer who seeks honest and constructive feedback, you might consider finding a critique partner. This writer will help you with your finished or developing manuscript. If you were ever to win an award for your story, this is one of the people you would thank.
Previously, you've heard me rave about my editor, Jane MacKay. While Jane provides constructive and detailed feedback on manuscripts and queries, I do pay her because she's a professional. And, even though I use critique partners and beta readers, I still hire Jane after they are through.
First of all, you need to know this: a critique partner is not a beta reader.
Beta Reader: someone who loves to read and can provide you with valuable feedback about your characters' authenticity, your plot's plausibility, your setting's inconsistencies, etc.
Critique Partner: a writer who wants to trade manuscripts for feedback on grammatical technicalities, style, flow, and all the beta reader stuff.
Mom: the person who loves you no matter how crappy your writing is or how many times you drop an Oxford comma.
Ryan Gosling: the guy who motivates you (or is it just me?) to get it done.
If you read between the lines, you might notice that you qualify as a critique partner for most other writers and maybe a beta reader for someone outside your genre. For instance, I write YA, but I love a good mystery. I'd be a good beta reader for mystery writers (but please don't send me a ms to read or my critique partners will hunt you down. Time is valuable.)
Currently, I'm partnering with several writers. I recently started working with aspiring YA author Brook Ellis. We met through Miss Snark's Critique Partner Dating Service (love that name!). Since three-thousand miles separates us, Brook and I exchange manuscripts via Google Docs and email. So far, it works. I'm also part of a local writer's group who met at a SCBWI event. Adult fiction writer Gwynne Jackson, picture writer and illustrator Evangeline, and I also exchange work via Google Docs. In addition, because we live within a five-mile radius, we meet monthly at someone's house.
I feel extremely fortunate to have these amazing writers in my life. Previously, I was unsure about working with a critique partner. I was embarrassed my work might not measure up; I was afraid I wouldn't have the time. Wrong. Wrong. Love, love them. When you want to, you can accomplish quite a lot.
So here are my top five reasons why you need a critique partner (CP).
A critique partner will:
1. Provide honest feedback. You are not paying them. They are not your mom. If something isn't working, or if something's truly amazing, they will let you know.
2. Have the skill to help you. Since your CPs are writers, they will not only be able to tell you where something's gone awry, they will be able to offer some pretty great suggestions on how to fix it.
3. Help you grow as a writer. Over the course of time, your CPs will become great teachers. Once they've learned your writing style, they will recognize your weaknesses and help you accentuate your strengths.
4. Not waste your time. They want what you want: good, constructive, honest feedback. If they can't provide this, they understand you might find a new partner. If you're good and helpful (because you're doing 1-3), they will make your time worth it.
5. Make you laugh. Make you cry. Mostly because of No. 1, your CP will sometimes tell you things about your writing that will make you feel so good, you'll laugh. However, every rose has its thorns. Because of No.1, your CP will also tell you some brutally honest facts about where your writing or story is falling down. The hope is that, because of No. 2, you will understand that the crying will help with No. 3.
If your relationship with your CPs look different, maybe it's not working. Remember, it's a partnership. As in any relationship, know when to get out and know when you're not doing your part.
I would love to hear your thoughts on finding and working with critique partners. Please share them in the comments below.
I'm always open to finding more CPs in order to create the best stories.