In light of Friday's tragedy in Paris, I decided to locate authors and characters who promote peace.
Our words speak as loudly as our actions. While you work to write the next great novel, consider the messages your characters share through their words and actions.
Consider these wise and thoughtful words from some of our most creative writers.
Why can't people just sit and read books and be nice to each other?”
― David Baldacci, The Camel Club
“A quiet conscience makes one strong!”
― Anne Frank, The Diary of a Young Girl
“If you love me as you say you do,' she whispered, 'make it so that I am at peace.”
― Leo Tolstoy, Anna Karenina
“Peace is always beautiful.”
― Walt Whitman, Leaves of Grass
“I do my best thinking at night when everyone else is sleeping. No interruptions. No noise. I like the feeling of being awake when no one else is.”
― Jennifer Niven, All the Bright Places
“In his face there came to be a brooding peace that is seen most often in the faces of the very sorrowful or the very wise. But still he wandered through the streets of the town, always silent and alone.”
― Carson McCullers, The Heart is a Lonely Hunter
“I have never been carried around by a large boy, or laughed until my stomach hurt at the dinner table, or listened to the clamor of a hundred people all talking at once. Peace is restrained; this is free.”
― Veronica Roth, Divergent
“How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.”
― Bram Stoker, Dracula
“It is better to be small, colorful, sexy, careless, and peaceful, like the flowers, than large, conservative, repressed, fearful, and aggressive, like the thunder lizards; a lesson, by the way, that the Earth has yet to learn.”
― Tom Robbins, Jitterbug Perfume
“Thus Gotama [Buddha] walked toward the town to gather alms, and the two samanas recognized him solely by the perfection of his repose, by the calmness of his figure, in which there was no trace of seeking, desiring, imitating, or striving, only light and peace”
― Hermann Hesse, Siddhartha
“Let the peace of this day be here tomorrow when I wake up.”
― Thomas Pynchon, Gravity's Rainbow
Find your words of peace and infuse them in the stories you tell. Let your characters rise above the horrible acts of human nature and be the trumpets of a new world, a peaceful world.
Today, write only words of peace.
The turn of weather is a great time to take your writing through a poetic carwash. Fall is my absolute favorite season, and I love the poetry inspired by the leaves' changing colors, the biting cold that whips through my hair, and the dulling sun in the late afternoon sky.
Take a moment to visit these sites, read some verse, and give your writing a seasonal lift.
Here are my go-to sites and a few seasonal writings that offer dimensional imagery and language to my writing.
1. The Poetry Foundation
Grace Paley's Autumn.
2. Academy of American Poets
Noah Falck's from "You are in Nearly Every Future"
3. The Poem Hunter
John Keats' Ode to Autumn (I recommend you mute the computer-generated narration)
Elizabeth Barrett Browning's The Autumn
If you are participating in NaNoWriMo and need an infusion of color and life or if you simply wish to take in the beauty of this season, discover again the color of poetry and let it drench your prose with folly.
Share your whimsy here. Do you have a favorite verse or site you like? I'd love to know.
This is my first official year joining the throngs of crazies who attempt to write 50,000 words in November. Are you one of us?
First, some history...
Despite its Viking Helmet which suggests the phenomena began in Sweden or Denmark, NaNoWriMo started in the San Francisco Bay Area in 1999. The lyrical title stands for National Novel Writing Month. The fist one took place in July begun by founder Chris Baty. Starting in 2000, the event moved to the chilly hibernating month of November.
Now there's a whole team of people who run the website and support coffee-guzzling authors.
Writers are challenged to pump out 50,000 words in thirty days. That's about 1,667 words per day. There's even a challenge for young writers.
Yesterday, November 1, I managed 2100 words. That was a Sunday with that extra hour of sleep, no work, and no kids running around asking for anything.
We'll see what I manage during the work week.
Join in the maniacal fun, and be my buddy! Cheer me on, and let me cheer you on.
I look forward to connecting with you at NaNoWriMo. If you need help getting started, drop me a note below.
Every writer experiences a block on occasion, a point in your writing where you just aren't sure where to go next. I've written before about how to unblock a creative stall. Sometimes it's about the plot, but sometimes it's about the character.
Unstick your writing with a little drawing.
If you've distanced yourself from your character, you might need time to see her more clearly.
Sketching characters, making maps of settings, and practicing dialogue out loud are not new tricks for writers. You simply need to find the one that works best for you.
Try it. Grab a sketchpad or sheet of paper, pencil or pen, and sketch your character. Try to capture her root emotions, her angst, her concern, her hopes, fears, and dreams. Draw her high school graduation picture or her face in the mirror when she wakes up. Create a series of portraits.
Once you've got her, ask a friend or stranger to tell you what they see. What emotions does the image evoke? If they see things you didn't intend, consider why they're visible in what you drew. If you meant her to appear scared, but the stranger sees anger, maybe that's her root emotion. Work from there. Why might she be angry?
Drawing your character brings her to life. Set her next to you as you write and see what else she has to say about her journey through your story.
Share your drawings and thoughts with us.
No matter how far afield I travel, I always return to the senses. This past week, my creative writing students explored writing about sensory detail by describing their hair. (As soon as I have parent consent forms signed, you will be able to read their amazing work.)
We spent time old school talking about the five senses and listing words a writer might use to evoke these senses. Next, we took a color walk to capture all we could find around campus of a specific color. Finally, we closed our eyes and listened to the sounds in the building and room. We even plugged our ears and closed our eyes to see what me might smell.
By the end of the week, students were ready to hone in on one idea and explore their senses. I read them "Hairs" from Sandra Cisneros' THE HOUSE ON MANGO STREET to inspire them.
If you want to help your writing come alive, tap into the senses. Five easy ways to add detail to your writing.
1. Sight: select one visual piece of your story (a building, bench, street, tree; something minor). List ten qualities that describe it. Choose three and exaggerate them. Come up with a metaphor to add dimension. (EX: In winter, her neighbor's tree bent like an old woman, dragging its limbs along the tired sidewalk.)
2. Sound: as above, but this time you are finding something your character will hear. (EX: The wheels thumped along the pavement, a steady heartbeat in the night.)
3. Taste: as above, but maybe applying taste to something one wouldn't normally put in their mouth. (EX: I could taste the assignment. Its bitterness coated the tip of my tongue, and I wanted to spit it out onto the just waxed classroom floor.)
4. Smell: as the taste exercise. (EX: His angry words burned in my nostrils; their ashiness wafted inside me.)
5. Texture: this sense offers a variety of options. (EX: Her jagged words cut through me. The night air caressed my cheeks.)
If you are in the middle of a project, find a scene that's lacking life. Infuse it with sensory detail. If this is your first draft, go crazy. Go overboard. Write drunk, edit sober. (Thanks, Mr. Hemingway.) Have fun.
Share your thoughts on the senses below. What works for you?
What happens when you have nothing to say but you've committed yourself to saying something?
That's when you write crap.
That's when you need to write like you're at the edge of a cliff, like you're scared, like you're about to die, like you don't know what's going to happen next.
This isn't about writer's block. This isn't even about finding your muse. This is about unleashing your passion, firing up your writing, releasing that sludge of unimaginable creative juice clogging your critical writer's mind.
However you do it, whatever you call it, every artist--writer, poet, painter, sculptor, etc.--needs to find a way to stick his hand down his throat and withdraw that hairy, slimy, gritty clog of filth that's blocking the juice of his work.
Try it. Close your eyes. Shut out the world. Hide inside a closet. Drive to a remote patch of dirt far from lights, sounds, people, animals. Crawl inside a cave. Whatever you can manage. Get there. Go there. Now.
Are you there?
Did you bring a journal?
No. No. No. Where we're going, we don't need any journals.
Sit inside your proverbial cave, melt within the darkness, shut out the world. What do you most fear? See it. Smell it. Go further. Be afraid. Be very afraid. Go deeper. Get pissed. Fight for your life. Fight for your family. Fight for what you love. Curse, yell, scream, punch, spit.
Keep your eyes closed.
Unmelt. Find a light inside. Who is it? What is it? Feel its warmth. Offer your gratitude. Sense a peace. Let this love, warmth, and calm wrap around you. Feel yourself as whole.
Open your eyes.
Find your way back to your writing place. Tell your story to you. It may be a few sentences, a few paragraphs, a page or more. It may be a poem, scraps of sentences and words, or an essay. Structure and form are unimportant. This is for your eyes only.
Now go back to your project. Who wants this energy? Who needs it? Let your experience breathe new life into your writing. Don't judge. Don't expect. Let it have its own path.
Make this part of your writing ritual.
Share your journey.
Every writer has a different routine or ritual that motivates her or keeps her in the zone. I didn't think I had one, but after closer scrutiny, I realized I do. Of course, I do. You do, too.
The question remains: is your routine working?
If you consider the following six categories, you will discover your routines. You might notice an area that needs help.
After I completed this blog, I realized that I'm not as consistent about taking breaks. Now, I set a timer to go off hourly. If it goes off, I haven't taken a break.
Here are my routines.
1. Quiet--I need minimal activity going on around me. That means I get up early and write before the household awakes.
2. Light--I've noticed that I work best near a window. Natural light activates my creative brain cells.
3. Background--I need music playing while I write. The music or sounds that sit in the background vary. It depends on what I'm doing: planning, writing, editing, re-working a scene, etc. The music must be instrumental
4. Tools--I know many writers prefer longhand; if the pen doesn't touch paper, they can't access their creative juices. For me, I need my Mac, Scrivener, and access to Internet for quick research. When I'm not seated at my desk, I write ideas and research in a variety of notebooks or tap them into Notes in my cell phone.
5. Nourishment--Water, coffee, fruit, nuts, chocolate. I keep all of this nearby. I don't eat while I'm writing, but when I need a brain break, I get up for a nibble. I don't drink too much coffee because it makes my mind work too fast. I need a slow methodic mind to write.
6. Scheduled breaks--Besides walking to the kitchen for snacks, I might walk around the block or stand on the porch for some sun. I get up at least once an hour. The outdoor breaks do wonders when I'm stuck or feeling lethargic.
I would love to hear your creative routines that help produce juicy good work. Please share them below.
First, some exciting news: I had a full request from a lovely agent! Very exciting, and a long time coming. If you want to read the opening to ON THE ROAD TO MARTY MCFLY, I'd love your feedback, too!
While I avoid stalking my inbox, I'm catching up on some great books. There are so many super YA novels out and a few I missed. For your interest, I've started a review page. Check it out! Share your opinions, too, please :)
Besides juicy stories, I've been re-reading some writing books that have me thinking about my habits. I wonder which of these are important to you and which one's I'm missing.
Here's my to do list top ten (in Late Night order) if I were starting out today:
10. Join Twitter. Set up an account that is public where you focus almost solely on writing topics. You can get personal, but consider it an extension of your workspace.
9. Participate in Twitter. That means, find chats, socialize with others in the industry. Don't stalk agents, but do follow them, so you can learn.
8. Join a professional group. You will connect with others in your genre, learn about workshops, and create lasting friendships. Try these: romance writers; children or young adult writers; sci-fi and fantasy writers; steampunk; mystery.
7. Write. We can't travel too far down this list without mentioning craft. It's so important to establish a routine. Whether it means writing for thirty minutes everyday on your lunch break or getting up an hour early while the house is quiet, you must write. Every. Day. Try these tips.
6. Read. Read like you write like you breathe. Read what you live, but most definitely read what you write. If you write picture books, read the best and worst of them, so you know what little readers like. And don't just read for fun, read with purpose. When I started studying other YA like they were textbooks, I learned so much about my audience. Join me on Goodreads where you can find lists of great books and insightful reviews.
5. Study. These books are not novels. These are books on craft. There are so many out there. I recommend three to start with: On Writing by Stephen King, Bird by Bird by Anne Lamott, and Writing Down the Bones by Natalie Goldberg. Read about them on Goodreads; start with one.
4. Find your voice. Anyone can write a story. No one can write it like you. What makes you stand out as a writer is voice. How do you find yours? Go back to #7 and #5. Write and study writing. You will find your voice. Listen to author Cory Putman Oakes.
3. Find your story. Anyone can write a story. No one can write yours. You've heard the adage--write what you know. Well, what do you know? Losing someone? Laughing until you pee your pants? Moving three times before puberty? Feeling incredible unrequited love? Listen to the master, Neil Gaiman, on this.
2. Support and connect with other writers. Join a writing group; find critique partners; nurture those relationships. We can learn so much from each other.
1. Shameless plug: sign up for my free newsletter (up there on your right) and never miss another great writing tip!
What's on your writer's to do list? I'd love to know. Please share below and continue the conversation.
If you are a new or seasoned writer who seeks honest and constructive feedback, you might consider finding a critique partner. This writer will help you with your finished or developing manuscript. If you were ever to win an award for your story, this is one of the people you would thank.
Previously, you've heard me rave about my editor, Jane MacKay. While Jane provides constructive and detailed feedback on manuscripts and queries, I do pay her because she's a professional. And, even though I use critique partners and beta readers, I still hire Jane after they are through.
First of all, you need to know this: a critique partner is not a beta reader.
Beta Reader: someone who loves to read and can provide you with valuable feedback about your characters' authenticity, your plot's plausibility, your setting's inconsistencies, etc.
Critique Partner: a writer who wants to trade manuscripts for feedback on grammatical technicalities, style, flow, and all the beta reader stuff.
Mom: the person who loves you no matter how crappy your writing is or how many times you drop an Oxford comma.
Ryan Gosling: the guy who motivates you (or is it just me?) to get it done.
If you read between the lines, you might notice that you qualify as a critique partner for most other writers and maybe a beta reader for someone outside your genre. For instance, I write YA, but I love a good mystery. I'd be a good beta reader for mystery writers (but please don't send me a ms to read or my critique partners will hunt you down. Time is valuable.)
Currently, I'm partnering with several writers. I recently started working with aspiring YA author Brook Ellis. We met through Miss Snark's Critique Partner Dating Service (love that name!). Since three-thousand miles separates us, Brook and I exchange manuscripts via Google Docs and email. So far, it works. I'm also part of a local writer's group who met at a SCBWI event. Adult fiction writer Gwynne Jackson, picture writer and illustrator Evangeline, and I also exchange work via Google Docs. In addition, because we live within a five-mile radius, we meet monthly at someone's house.
I feel extremely fortunate to have these amazing writers in my life. Previously, I was unsure about working with a critique partner. I was embarrassed my work might not measure up; I was afraid I wouldn't have the time. Wrong. Wrong. Love, love them. When you want to, you can accomplish quite a lot.
So here are my top five reasons why you need a critique partner (CP).
A critique partner will:
1. Provide honest feedback. You are not paying them. They are not your mom. If something isn't working, or if something's truly amazing, they will let you know.
2. Have the skill to help you. Since your CPs are writers, they will not only be able to tell you where something's gone awry, they will be able to offer some pretty great suggestions on how to fix it.
3. Help you grow as a writer. Over the course of time, your CPs will become great teachers. Once they've learned your writing style, they will recognize your weaknesses and help you accentuate your strengths.
4. Not waste your time. They want what you want: good, constructive, honest feedback. If they can't provide this, they understand you might find a new partner. If you're good and helpful (because you're doing 1-3), they will make your time worth it.
5. Make you laugh. Make you cry. Mostly because of No. 1, your CP will sometimes tell you things about your writing that will make you feel so good, you'll laugh. However, every rose has its thorns. Because of No.1, your CP will also tell you some brutally honest facts about where your writing or story is falling down. The hope is that, because of No. 2, you will understand that the crying will help with No. 3.
If your relationship with your CPs look different, maybe it's not working. Remember, it's a partnership. As in any relationship, know when to get out and know when you're not doing your part.
I would love to hear your thoughts on finding and working with critique partners. Please share them in the comments below.
I'm always open to finding more CPs in order to create the best stories.
Inside the collective virtual writing world, we like to help one another out. We read each other's writing, blogs, and books. We connect on Twitter, Facebook, and other social media platforms. We engage in chats, discussions, and debates. We invite one another to book give-aways, TwitterChats, webinars and maybe a live author event somewhere in the real world.
In my opinion, this virtual community offers tremendous support for emerging and veteran writers. If you create (writing, art, photography, other), you want to be part of this collective. There's no admission, no initiation, no dues. You can be a voyeur, or you can dive write in and share your ideas, ask questions, or promote events. I do, and my writing is changed for the better.
The other day, CJ tossed me this "One Lovely Blog Award" and asked me to share 7 things about me. I've shared me. So I'd rather share with you 7 things about writing. I trust no one will ring my doorbell and rip this badge from my website.
7 things about writing.
1. Writing is work. Bruce Jenner didn't win the Decathlon sitting on the couch binge-watching OITNB. He rose everyday and followed a strict routine to be in top shape. I write everyday but not enough to win a Decathlon. I have been caught red-eyed in front of more than one binge-watching session. Like my writing, I am a work in progress.
2. Writing is cathartic. Diving inside your depressed character's darkness can be a cheap way of relieving your own frustrations with the world. Use your past to develop your characters. It might save you on the therapy bills.
3. Writing is joyful. When my day begins with writing, I feel grounded, happy and ready for the world.
4. Writing is measured. Besides the joy in creating, I find a certain pleasure in seeing those word counts rise. Setting a daily or weekly goal keeps me on track and makes me feel accomplished.
5. Writing is a partnership. Yes, there is the relationship built with other writers, but I'm talking about the relationship between you and that screen (notepad, sheet of paper, post-it pile). Whether I'm using a software program to organize or reading writing advice beforehand, what I produce requires a team effort.
6. Writing is magic. There's magic at work before the words that jumble about in my head fall onto the screen before me. When I tune in to my internal workings, connect with the world around me, I create a place that doesn't exist. That's the magical world of a story.
7. Writing is peace. To expand on point 3, writing can bring you not only a sense of wonder but a quiet. Once I empty out the inner chatter onto the screen or my journal, my mind can rest. Writing is my ohm.
Please visit these lovely blogs for more fun with writing:
Lisa Reiter - practical tips and delightful conversations.
Morgen Bailey - fun poetry and story starters and more.
Heather Jackson and Others - tips and advice written with empathy and humor.
Katharine Grubb - warm and kind mom with tons of energy and lots of ideas to help writers promote and publish.
Gabriela Pereira - Do it Yourself MFA. Great articles and tips for writers at all stages.
Now, let's get back to writing.